Whereas the majority of after-death affairs in a normal death are usually wrapped up within a few months where the family lawyer handles any probate matters held over, this situation is now past two years, two months old and still going. "For me, it is the beginning of the end of a mourning period that has been all too long. I feel this is a significant moment, both for me and for you. In a letter to Feinberg addressed 17th November 2003, Wolf wrote, "After a recent meeting where I personally reviewed every document to be submitted, I directed my attorney, Justin Green of Kreindler and Kreindler, to submit the initial papers for my application to the September 11th Victim Compensation Fund of 2001. However as shown in the film, Wolf and Feinberg eventually found common ground, with Wolf then persuading the other members of his campaign group to accept the compensation being offered and sign up to the fund. Indeed in the aforementioned memoir, Feinberg recalls being told "I spit on you, and your children" by a firefighter who was particularly upset by the perceived unfairness of the compensation formula, while Charles Wolf, who led up the Fix the Fund group, even referred to him as "patronising, manipulative and at times, even cruel" on the group's website. It's also accurate that there was initially a great deal of pushback against Feinberg's plan. On being appointed to the role, Feinberg developed an eight point plan, which included the drawing up of a formula to determine how much money each individual victim was entitled to, taking into account factors such as income and likely future earnings.
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It's also true that Feinberg insisted he took on the role for free, agreeing to work pro bono for 33 months.
Senator Ted Kennedy who was appointed as the Special Master of the September 11th Victim Compensation Fund by Attorney General John Ashcroft, despite his Democrat political leanings. He wasn't perfect at it, but it was his flaws that made his evolution that much richer."Īs is shown in the film, Feinberg was a respected attorney and former chief of staff for U.S. He came in with a pragmatic, legalistic approach to something that was still very raw. Ken Feinberg was someone who perhaps, prior to 9/11, never really dealt firsthand with the flesh-and-blood victims of the large court cases that he'd been involved in.
"I sought to write a story of people trying to grieve, move on, and heal while admitting to and living in their flaws.
The special form of grief and pain - the complex emotions that each case brought up, and the dilemmas it raised for Ken - are all true. This was a deliberate choice on our part to protect people's privacy. He added, "The victims depicted, however - with the exception of Charles Wolf - are composites from several stories that Ken has outlined in his book or told over the years. Writing in the press notes for the film, Borenstein explained: "Like many, I was aware of the Victim Compensation Fund as it was unfolding, but that corner of the 9/11 story wasn’t one I knew much about until I started digging into Ken’s book, which I found wonderful, insofar as it related these stories of the victims and the specificity and the complexity of each of their cases." The screenplay for the film was written by Max Borenstein, adapted from Weinberg's own memoir What Is Life Worth?, and while it appears the script sticks fairly closely to the truth, the individual victims that appear in the film are composites – in other words, they are based on a range of people rather than specific individuals. By entering your details, you are agreeing to our terms and conditions and privacy policy.
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